Features

A picture in relief, handmade in my workshop in the Loire, with your sentimental fabric.

The technique is called Kinusaiga, and it comes from Japan. In three moves: I coat a board with adhesive and carve grooves into it following the drawing, I cut your fabric piece by piece, and I tuck each piece into the grooves with a pointed tool (but not too pointed).

The adhesive is underneath, never on top. Your fabric keeps its feel, the one you know ❤️
You can lay your hand on it and feel the relief.

Format: a 10 × 10 cm square. One drawing to choose from about ten.

It's finished along the edges with a ribbon, and has an engraved plate on the back: your piece's number, and a QR code leading to its story. That plate is how it hangs.

The ribbon is the only part of the construction you see, so I don't pick it at random. I hunt them down, I buy overstock, and sometimes I combine several on a single piece. I live in ribbon country, with a world-renowned ribbon maker in my own town and a braid factory forty-five minutes away: that heritage deserves to be shown off.

Why a picture?

  • Because the fabric can't become a bag: too thin, too fragile, too worn, too little of it... for something you carry, but not for something you hang;
  • Because you're afraid of ruining it: a bag rubs, gets rained on, wears out. A picture risks nothing, the fabric stays as it is;
  • Because it's a gift: a mirror or a bomber jacket makes one person happy. A picture, the whole house gets to enjoy.

What depends on your fabric

One rule governs everything else: the thicker your fabric, the simpler the drawing has to stay. It's mechanical.
Fine points and tight details depend on the material. Silk allows what a baby wrap restricts. And gradients are only possible if your fabric already contains one: each zone takes a single fabric.

When in doubt, send me a photo! It's free, it takes thirty seconds, and I'll tell you honestly what we can do with it.

Bigger, another shape, framed?

That's full bespoke: no limits, except the technical ones. Size, shape, drawing, materials: everything is decided with you.

You can start from a drawing I already offer and want it bigger, or round. You can want something that exists nowhere.
This is also where my vintage frames come out, when a project calls for one. And if you have one at home you're attached to, we start from that.

A rectangle and a round one will probably join the Essentials, maybe bigger ones too. I don't open a format before someone asks for it, so I'm not giving you a date.

An idea for a wedding

The guests' picture: everyone sends a piece of fabric before the wedding, and I make a picture delivered for the big day. Everyone finds their own, and nobody knows what it will look like beforehand, a rather exciting collective experience. (Plan ahead: collection closes six to eight weeks before.)

The process

Even though the format is fixed, the process is fully guided: you show me your fabric, we choose the drawing together, and you approve it before I cut anything.

Allow a week of making, once the quote is signed, the deposit paid and your fabric at the workshop.

Price, excluding fabric

  • from 79€;
  • bigger, a drawing created just for you, a frame: on quote.

How much fabric?

Much less than you think. A few pieces are enough, and they can come from different parts of the garment. The drawing decides, not the surface.

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Photo of Marie Alhomme

Common questions

How much fabric do you need?

Far less than you think. On a small format, a few pieces are enough, and they can come from different parts of the garment. It's the drawing that decides, not the surface area. And if there isn't enough, I have fabrics to fill in. Send me a photo and I'll tell you.

What exactly do you cut?

Only what's needed for the zones of the drawing, with a little margin: the excess disappears into the groove, and some is needed to cover the top of the edges. Everything else comes back to you. And nothing is cut before you've approved the drawing and signed the quote.

Is there a frame?

By default, there isn't one.
With the kit or my “ready-to-hang” pieces, your picture is finished along the edges with a ribbon and hangs by the plate on its back: it arrives ready to go on the wall.

If you feel like framing it anyway, you can use any shop-bought frame in the right size. I have references if you need them.

With bespoke, two more options are open to you:
- with a frame you're attached to, which becomes the starting point of your project;
- with one of my vintage thrifted frames, in all styles and sizes.

How do I look after it?

A wipe with a cloth now and then, and that's about all there is to do. As with any textile, avoid hanging it in direct sunlight.

What if I don't like the result?

You approve the drawing before I touch anything, and you can follow along in photos while I work. That said, once the fabric is inlaid, there's no going back: that's why we take our time beforehand.

I have more questions

They took the plunge

An Essential or full bespoke, every piece starts from a fabric that matters.

Charlotte’s baby wrap

After ordering a bag from stock, Charlotte realized it would be too small. I offered to make her a custom, larger version, and she sent me her baby wrap to transform.

Discover their story

Before
After

Muriel's small birds and jacket

When Muriel discovered my custom sentimental-making service after walking into the studio during my 'Studio Clear-Out' sale, she asked me to help her enjoy her favorite bag of the last 30 years all over again...

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After

Emelyne's bag

Emelyne supported me for a year in gaining clarity about my business. In awe of her elegance and style, I didn’t hesitate for a second when she came to me afterward to transform her Bottega Venetta bag...

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After

Céline's daddy's jacket

I met Céline at the end of 2024 at a Christmas market I was selling at, and she was drawn to my concept. In early 2025, she reached out to tell me about her dad’s leather jacket...

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Before
After

I already have my idea The Stories